Community theater actors thrive on reviews. We wallow in self indulgent preening when we get a good review. We despair in chest pounding, wailing fits of anger when we get a poor review.
Our show? Great stuff. Reviewed in three papers, we got consistently positive critiques of our performances. All recommended folks go see our show.
A couple of the better comments? – – –
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One thing I know from my theater experience is that it’s not enough to simply act like the character, but one must become the character, thinking and feeling as they would. This cast was incredibly convincing. They truly became the characters.
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There is no question that Broadway could learn a great deal from community theater, especially GnuKid’s Theater Group. Gifted local theater removes the special effects and production numbers and replaces that hyped aspect with highly personal acting, in this case, perfect zaniness.
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We were, of course, thrilled. It’s very likely that one of the reasons we had near sold out houses for the run of the show was because of the reviews.
The leads got glowing reviews that reveled in their acting and comedic brilliance. The other supporting actors got great reviews. The chorus – – to me the true stars of the show wonderfully playing multiple roles each – – were called out for praise by all the critics.
And it’s reviews like that, coupled with big audiences who laugh honestly, loud, and long, that makes it seem – – not just worthwhile – – but magic.
Me?
Not glowing, but pretty good in my book.
I got a “…flawless accent and perfect comedic timing.” (which, actually, is pretty damn good).
I also got a “…suitably crazy…”.
And finally, a “…loony, yet authoritative…”.
I shared the latter with Daughter Person who commented, “Hmm, that perfectly describes your parenting style as well.”
<sigh>
Yep, she’s my kid.
<big, cheesy grin>